AltFreq Weekend Planner (1/22-1/24)
–Written by Kevin Madert
It’s nearly impossible to keep track of all the events going on in the area, so we’re here to let you know what’s happening in live music over the next few days. Watch out on Sundays for our “Weekly Planner,” where we’ll cover the remaining four days of the week.
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New Tune Tuesday (1/20/15)
–Written by Kevin Madert
Dreamt – Perpetrators (Wessanders Remix)
It’s often said the only guarantees in life are death and taxes. I’d like to petition the powers that be to add a third clause to that cliché: “Wessanders putting out quality music.” The Boston native is back again with another massive rework, convalescing several styles into a smorgasbord of delicious, deep bass music. He builds the track slow and steady, utilizing the original track’s instrumentation and vocals to compliment his augmentations rather than as a way to get from point A to point B. Once he’s eased you in, the wave breaks and the drop cascades around you, subtle in sonics yet sweeping in scope. There are a myriad of minor things going on beneath the main thrust of the track that tell me Wessanders is a hell of a producer – something I already knew, but don’t mind being reminded of – and if you’re like me your cursor will be hovered over the repeat button long before the final notes pulsate into the ether.
Above & Beyond – We Are All We Need
They’re not reinventing the wheel, but damn are they good at manufacturing them; Jono, Tony and Paavo (together, Above & Beyond) have finally delivered the long-awaited follow-up to 2011’s genre-defining Group Therapy. While We Are All We Need doesn’t hit home quite in the same way – and let’s be honest, how could it? – it’s still a solid collection of vocal trance and progressive tracks. WAAWN features familiar contributors on some of its best songs; “Sticky Fingers” is a dark, electro-tinged number with vocals from Alex Vargas, and it’s hard to pick my favorite vocal contribution from longtime collaborator Zoe Johnston, although the title track is an especially emotional one. Most importantly, there’s surprisingly little filler for a 16 track steady-beat album, and one playthrough has me itching for my second. While A&B didn’t go out on any crazy, experimental limbs on this album, they succeeded in adding another high-quality piece of work to their already impressive catalog.
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AltFreq Weekly Planner (1/18-1/21)
–Written by Kevin Madert
It’s nearly impossible to keep track of all the events going on in the area, so we’re here to let you know what’s happening in live music over the next few days. Watch out on Thursdays for the “Weekend Planner” where we’ll cover the most important 72 hours of the week.
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AltFreq Weekend Planner (1/15-1/17)
–Written by Kevin Madert
It’s nearly impossible to keep track of all the events going on in the area, so we’re here to let you know what’s happening in live music over the next few days. Watch out on Sundays for our “Weekly Planner,” where we’ll cover the remaining four days of the week.
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New Tune Tuesday (1/13/15)
–Written by Kevin Madert
Jax From The Future – 3015
Many of us spend large portions of our lives worrying about “the future,” – this intangible period of time that’s consistently laid out before us but impossible to lay our hands on. Then there are those of us who possess such innate talent and tastemaking ability that such fears are rendered irrelevant. Friend of the blog Jax From The Future falls into the latter category, and his newest tune “3015” showcases not only his production range but his desire to dive headfirst into the unknown, leading the charge rather than waiting for another artist to pave the way. The four-minute tune traverses a taut tightrope, balancing the structural framework of future bass against subtle but present deep house stylings. The lengthy intro sees Jax testing out his MIDI drum prowess (a skill he’s recently added to his live arsenal), altering the feel of the tune multiple times without making any drastic shifts in tempo. By the time the drop kicks in with those quasi-upbeat, shuffling synths (think Two Fresh with darker intentions) you’re immersed in the sonic realm of the song, something he has a nifty knack for accomplishing. Because he calls home the place many of us fear, Jax From The Future gives us novel and forward-thinking music by default – a feat that finds bloggers like myself counting the days until his next release.
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Frequencies of 2014: Mix
–Words and list by Kevin Madert
This is another installment in the “Frequencies of” series. The music that got to me most in 2014 – that got my head nodding, that sent goosebumps prickling across my skin, that had me screaming at the top of my lungs – placed in a handful of semi-specific categories (for organizational purposes more than anything else). Am I telling you these are the best things released all year? Certainly not. Am I telling you they’re all great, and suggesting you check them out in order to grasp a more complete picture of the year in music? Absolutely.
Phaeleh – Slumber Sessions
Recorded as an installment in I-D’s “Slumber Sessions” series, this mix exists not only as a hauntingly beautiful piece of art but also as an ambient background piece, intended to be listened to as one zones out and drifts off to sleep. Phaeleh, as a master of such sounds, constructs an eclectic and meandering mix, often comprised of wholly ambient tracks and dipping at times into little more than droning notes and hushed sound effects. In his own words, “in some ways you can think of it as a soundtrack to a dream…I wanted it to be able to exist in the background, without focus, whilst at the same time having elements of detail and beauty scattered amongst the layers of sound unraveling as the mix progresses.” In the process, he created perhaps the best mix of 2014 – a definite must-hear.
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